Joranalogue/Hainbach Collide 4
Format: Eurorack
Width: 20HP
Depth: 30mm
Current: 200mA @ + 12V, 200mA @ -12V
Format: Eurorack
Width: 20HP
Depth: 30mm
Current: 200mA @ + 12V, 200mA @ -12V
The origins of electronic music can be found in the early works of a small group of forward-thinking composers in the mid-20th century, who used electronic test equipment to create new sounds. Building on that legacy, Collide 4 has brought it all full circle again today.
Collide 4 is a musician/influencer who uses experimental equipment and measurement devices.HainbachThis is the first hardware jointly developed by and Joranalogue.Lock-in amplifierThis signal processor/voice module brings the concept of a lock-in amplifier to the Eurorack world. The lock-in amplifier is a device used in ancient physics research, known for its raw power in musical applications. Now, with a very compact size and weight, and complete voltage control, the lock-in amplifier is available in a form that any synthesist can experience. The result is a completely new kind of analog synth voice/audio processor never imagined by the pioneers of avant-garde music.
Collide 4 embodies Hainbach's extensive experience in exploring deep musical realms with vintage test equipment and Joranalogue's electronic instrument design philosophy.
A lock-in amplifier is a measurement and experimental device that detects the magnitude and phase of a specific frequency component from an input signal. Analog lock-in amplifiers perform multiplication and integration, so they are composed of circuits similar to ring modulators and low-pass filters in the world of synthesizers, and actual units are used by experimental musicians such as Hainbach. Collide 4 is a module that optimizes these circuits for use in a modular environment and is designed with the highest possible precision.
To achieve this goal, an analog lock-in amplifier multiplies the input signal by an oscillator (reference oscillator) with the frequency to be detected, and passes the output signal through a low-pass filter. From the DC component after passing through this filter and the phase of the reference oscillator, the magnitude of the frequency component of interest and the phase difference between the reference oscillator and the input signal can be calculated.In Collide4, rather than setting the phase of a reference oscillator, we instead use a phase-shifted signal and perform two types of multiplication to obtain the desired phase difference.
In Collide4, the final desired signal magnitude and phase can be obtained from the MAG and PHASE outputs at the bottom right, but Collide4 was designed with musical applications in mind, and the following functions are available in each section, with voltage control for all major parameters.
The signal flow for each section is as follows:
input section
